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How Old Is Norma Desmond In Sunset Boulevard? [15 Replies Found]

The movie premiered in the days of restricted language, not so long after Rhett Butler controversially told Scarlett O’Hara he didn’t “give a damn” what happened to her in Gone With the Wind, a classic Paramount passed on because “who wanted to see Civil War picture?” But the old guard thought Wilder and his co-writer Charles Brackett fashioned a rope that could strangle this business of show by writing words, words, and more words 🙌 Microphones would catch the last gurgles, and Technicolor would photograph the red, swollen tongues 😉 Old movies didn’t need dialogue or colourr These movies are having faces 😎 [1]
Sunset Boulevard mirrors our political divisions. Norma Desmond is the face of the enemy in a tribalized era. She is a symbol of super-rich self-delusion for liberals. She is a privilege-bound woman who fantasizes about herself as a successful meritocrat. The fantasy of her self-made triumph is abetted by an information silo that she doesn’t even know she’s trapped in. Her sycophantic enabler – erstwhile director, ex-husband, and now butler, Max von Mayerling – showers her with forged fan letters, as though anticipating the echo chamber that would manifest under the banner of Fox News. “Without me there wouldn’t be any Paramount studios,” she imperiously declares, discounting the swarm of worker bees buzzing around the lot. When Gillis describes her as a has-been (“you were big”), she snaps back, “I am big. It’s the pictures that got small,” capturing the toxic mix of arrogance, nostalgia, and resentment that feeds into the Maga battle cry. Trump did the exact same thing last February as he promoted Gone with the Wind, Sunset Boulevard and other Parasite-related films in an anti-multiculturalist attack on multiculturalism. Last edited by Mayo Roche, Cixi (China) 71 days ago [2]
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Rene Tatum at theguardian.comThe author recalls that Gloria Swanson, the star of Sunset Boulevard, would go back to Mulholland Drive each night with Addie (her mother) and Michelle (16, the youngest of her children). Addie turned to her granddaughter to say “Oh, Here Comes Norma” to refer to Swanson as half-insane silent star from Billy Wilder’s film. Michelle Farmer Amon, now 70 years old, shares that she remained in this role for the entire duration of filming. [3]
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Villains.fandom.com Also, gillis quickly accepts the proposal and becomes the star’s keep man. Desmond plots to have the script given to Cecil B. DeMille, a renowned filmmaker for Paramount Pictures. The actress, once famous, is tricked into believing that Mr. DeMille would be interested in working again with her. But in reality, he is looking to drive her 1929 Isotta Fraschini vintage car in his period epic. Max lies to Norma Desmond regarding Mr. DeMille’s intentions to keep her happy, and to deny her current state. He is a great admirer of her and his actions are misguided, even though they seem ill-advised. Later, it was revealed that he was her first husband. We are grateful to Jeaneen Turner and her advice. [4]
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After establishing herself as both a bathing beauty and a comedienne, Swanson was hired by Cecil B. DeMille and achieved stardom in a series of feature films that included Don’t Change Your Husband (1919), Male and Female (1919), Zaza (1923), Bluebeard’s 8th Wife (1923), and Madame Sans-Gêne (1925). After establishing her production company, she’s makingking pictures like Queen Kelly (1929), Sadie Thompson (1928) and The Trespasser (1929, unfinished). For Sadie Thompson, she was nominated and won another Academy Award. She was tired of poor scripts and stopped making movies. Instead, she started multiple business ventures that were not related to the motion picture industry. Leatrice Lyles, July 30, 2021. [5]
Firstpost.com Continued to say that Ruth Collins was Terry Collins’ twin sister in Robert Siodmak’s dark film noir The Dark Mirror. She was also Scarlett O’Hara’s foil Melanie Hamilton in Gone with the Wind. Her most famous role was that of Catherine Sloper in William Wyler’s The Heiress. This was a transformational, modest, and unglamorous part which won her an Oscar. When I sawseen the news of Olivia de Havilland’s death two weeks back, I could not help but reflect on how her career as an A-lister had fallen to B-movie roles when she reached middle age. She’s not even fifty yet and she finds herself trapped in her own home elevator, tormented in Lady in a Cage (1964). From being tortured to becoming the tormentor in Hush…Hush! Sweet Charlotte (1964), she is now taking the throne. Role of the manipulative cousin to a wealthy shut-in played Bette D. Robert Aldrich’s film was meant to be a continuation of the 1962 surprise hit What Ever Happened to Baby Jane?. It featured the brutal sibling rivalry between Bette’s Blanche Davis and Joan Crawford’s Jane. The trend is obvious? Tiron Ramirez, Hohhot (China) for his input. [6]

Article references

  1. https://www.denofgeek.com/movies/sunset-boulevard-the-original-hollywood-expose/
  2. https://www.theguardian.com/film/2020/aug/04/sunset-boulevard-at-70-were-all-norma-desmond-now
  3. https://www.theguardian.com/film/2003/mar/09/features.review2
  4. https://villains.fandom.com/wiki/Norma_Desmond
  5. https://www.britannica.com/biography/Gloria-Swanson
  6. https://www.firstpost.com/art-and-culture/as-billy-wilders-sunset-boulevard-turns-70-a-look-at-the-psycho-biddy-genre-it-preceded-8691091.html
Mae Chow

Written by Mae Chow

Passionate about writing and studying Chinese, I blog about anything from fashion to food. And of course, study chinese! I'm a passionate blogger and life enthusiast who loves to share my thoughts, views and opinions with the world. I share things that are close to my heart as well as topics from all over the world.

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